Kaayna Musicals

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Taus Hand Made Indian, 4 Main String, 17 Sympathetic String, Tun Wood, Beautiful Craft Work, Sweet Sound, Natural Wood Colour, With Bow, Extra String & Rosin For Bhajan, Kirtan, Raaga, Beginner Quality.

• ✔ BRAND NEW HAND MADE INDIAN MUSICALS INSTRUMENT,

• ✔ SUPER FINE QUALITY TUN WOOD 4 MAIN STRING DESIGNER TAUS

• ✔ BEAUTIFUL CRAFT WORK, NICE SOUND AND LIGHT WEIGHT

• ✔ BEST FOR BEGINNER, COMES WITH BOW, EXTRA STRING & ROSIN

• ✔ DELIVERY WITH IN 4 TO 6 WORKING DAY VIA DHL/FEDEX/UPS

Tumbi Toombi – Ektara, Ek Tara, Drone Instrument, Hand Made Indian, Fun Music for Dance and Joy.

Tumbi or Toombi or Ektar is one folk musical instrument.  It is used to provide both a drone as well as simple rhythmic accompaniment to folk music/songs.  It may be the oldest stringed instrument in the Indian subcontinent.  The Ektar is described in ancient Sanskrit texts as the ekatantri veena, literally the “one stringed lute”.  In Punjab, India  the Ektar is known as the Tumbi/Toombi
The construction is very simple, it is nothing more than a gourd /wood/Bel which has been penetrated by a stick of bamboo/wood.  Another piece of wood forms the tuning peg.  The bridge is merely a coin, piece of coconut, plastic or wood or similar object.

Dholak Drum, Rope + Bolt Tuned, Hand Made, Mango Wood, Special Skin, Natural Colour, Gig Bag, Tuning Key, Nice Sound, For Bhajan Keertan, Mantra, Ladies Sangeet, Dance & Music, etc.

The dholak is one of the most widely utilized drums in the folk music of India. It has also found a permanent home in most of the recording and broadcast environments. Applications range from dance music such as bhangra and garba to devotional bhajans and keertans. The dholak is basically a double headed drum with the bass head on one side and the treble head on the other. The left hand is also a single membrane with a special application on the inner surface. This application is a mixture of tar, clay and sand (dholak masala) which lowers the pitch and provides a well defined tone. On the treble drum side, there is no putty added.
The nut and bolt version of the dholak is a more modern and better engineered version of the Dholak. Some even call this version a dholki.

Punjabi Bhangra Dhol Drum, Mango Wood, Dark Colour, Padded Gig Bag, Belt/Strap, Sticks to Play (Danka & Chanti), Tuning Key, Light Weight, Nice Sound.

The Dhol is a traditional North Indian instrument made from a large wooden shell. Each side of the Dhol has Goat Skins covering the open ends, one for the bass and one for the treble. The skins are laced together with one piece of cotton rope threaded through the edges of both skins. This is the more authentic way. The Modern day trend with Dhols is to have a Plastic Western Drum Skin on the treble end, tensioned by metal nut adjusted hooks.
The Dhol is a common Percussion Instrument that is used to accompany Punjabi Folk Music. It originates from the North India Region . The dhol is a rather bulky double-sided barrel drum played mostly as an accompanying instrument to the traditional Punjabi dance of Bhangra, the traditional dance of Gujarat and Raas.

North Indian Mridanga/Mridang Drum, Hand Made, Sheesham Wood, Special Skin, Natural Wood Colour, Gig Bag, Nice Sound, For Bhajan Keertan, Mantra, Dance & Music, etc.

Mirdang (mrdanga, mrdunga, mridunga) is essentially a north Indian version of the Mridangam. The Mirdang is an Ancient Indian barrel shaped percussion instrument. Traditionally, the Mirdang is favorite percussion instrument for north India.
Mirdang larger bass-skin is played with the left hand and the treble skin by the right hand. The treble skin is fitted with three concentric rings of dense black hardened paste which helps create a sound resonant with harmonics. The bass fundamental tone will be the lower tonic.

North Indian Pakhawaj Drum – Bolt Tuned, Hand Made, Sheesham Wood, Special Skin, Dark Wood Finish, Gig Bag, Nice Sound, For Bhajan Keertan, Mantra, Dance & Music, etc.

Pakhawaj is essentially a north Indian version of the Mridangam. The pakhawaj also called mardal, pakuaj, pakhvaj and mardala is an Ancient Indian barrel shaped percussion instrument. It is famous in North India. It is widely used for Orissi dancers and sometimes for Kathak. It is the standard percussion instrument in dhrupad.

Naal Dholak Drum, Hand Made, Mango Wood, Special Skin, Natural Wood Colour, Gig Bag, Nice Sound, For Bhajan Keertan, Mantra, Dance & Music, etc.

The Naal originated in India and it is a wooden two-headed drum. Naal heads are tuned by bolts. To Play Naal sit horizontally on a cushion in front of a crossed-leg Naal the larger bass-skin is played with the left hand, the treble skin by the right hand. The treble skin is fitted with three concentric rings of dense black hardened paste which helps create a sound resonant with harmonics. The bass fundamental tone will be the lower tonic. Traditionally, the Naal is favorite percussion instrument for north and south India.

Designer Brass Khol Drums -Bolt Tuned, Special Hand Made Skin, Antique Finish, Gig Bag, Nice Sound, For Bhajan, Rama, Krishna, Kirtan, Mantra, Dance & Music, etc.

Khol is a two-sided drum used in northern and eastern India for accompaniment with devotional music (bhakti). The leather heads are in two sizes for high & low pitch. The Shiny Golden Brass (3.5 KG Approximately) body on this two-headed drum makes it much beautiful, stronger and durable than the traditional clay bodied khol. Both heads held in place and tuned by strap tension. It originates from the Indian state West Bengal. In addition, it has uses in Bengali folk and semi-classical music.
In ISKCON (Hare Rama! Hare Krishna!) and in Gaudiya Vaishnava societies, the khol is the primary drum for kirtan and bhajan.

The Thavil  or Tavil or Thakil is a barrel shaped drum from South India. It is used in temple, folk and Carnatic music, often accompanying the Nadaswaram. The Thakil/ Thavil and the Nadaswaram are essential ingredients of traditional festivals and ceremonies in South India.

 The  Thakil/ Thavil  Drum consists of a cylindrical shell hollowed out of a solid block of Jackfruit wood. Layers of animal skin (water buffalo on the right, goat on the left) are stretched across the two sides of the shell using hemp hoops attached to the shell.

 The instrument is either played while sitting, or hung by a cloth strap (called nadai) from the shoulder of the player. The right head is played with the right hand, wrist and fingers. The player usually wears thumb caps on all the fingers of the right hand, made of hardened glue from maida flour. The left head is played with a short, thick stick made from the wood of the portia tree. It is not uncommon for left-handed players to use the opposite hands, and some Nadaswaram groups feature both a right- and a left-handed  Thakil/ Thavil  player.

 In folk music contexts, a pair of wider, slimmer sticks is sometimes used. Thanjavur is famous for  Thakil/ Thavil  Drum, so called Thanjavur Thavil. In kollywood Filmi songs thavils are mostly used, Notable movies: “Thillana mohanambal”, “Paruthiveeran”, “Karagattakaran”.

Dhama Drum- Regular Size Shesham Wood Tabla, Hand Made Skin, Leather Strap to Tune, Long Life, Sikh Jori Pakhawaj, Comes with Tuning Pegs, For Bajan, Kirtan, etc.

The invention of the jori, “couple,” is attributed in Sikh lore to the 5th Guru  Arjan (1563-1609). Its predecessor in Sikh devotional practice was the  pakhawaj, the pre-eminent barrel drum of the Indo-Persian courts and of  contemporary dhrupad music. During Arjan’s time, the jori became a specialty of  practitioners of gurbani kirtan in the city of Amritsar, which by 1604 had  become the capital of Sikh devotionalism. According to Bhai Baldeep Singh’s  research, the distinctive sound of the jori became associated with the city and  became known as the Amritsari baaj, the musical style of Amritsar. This style  has now been all but forgotten and his project is to revive its structures,  instruments, and sounds. 

The left-hand drum, the dhamma, is larger, much heavier and taller, and is  fashioned more like an oversized tabla than like the modern bayan of the tabla  pair.The dhamma produced deeper base sounds that are strong, expansive and  resonating, unequaled by any other Indian drum. 

The shehnai is a north Indian oboe. Although it is referred to as a double-reeded instrument it is actually a quadruple-reed instrument. This is because it has two upper reeds and two lower reeds. The instrument has a wooden body with a brass bell. The reed is attached to a brass tube which is wrapped in string. The shehnai has Six to Nine holes.

 All the tunes of full tone, half-tone and sharp notes can be played on this instrument through breath control. The notes are continuous and is generally used in classical and light classical music.

 The sound of the shehnai is considered particularly auspicious. For this reason it is found in temples and is an indispensable component of any North Indian wedding. In the past, shehnai was part of the naubat or traditional ensembles of nine instruments found at royal courts. This instrument is a close relative of the Nagaswaram found in South Indian Music.

 Ustad (Master) Bismillah Khan was a well-known shehnai player.

A Morsing (also Mourching, Morching or Morchang) is a wind percussion instrument, mainly used in the Carnatic music of South India, Rajasthan and Sindh (Pakistan). It can be categorized under Lamellophones, which is in the category of plucked idiophones. It consists of a metal ring in the shape of a horseshoe with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. The metal tongue is bent at the free end in a plane perpendicular to the circular ring so that it can be struck and is made to vibrate. This bent part is called the trigger.

The Morchang is placed between the teeth and held firmly in the hand and is struck using the other hand to produce sound. Movement of the player’s tongue, variations of the throat and blowing and sucking of air through the instrument produces different sounds or overtones.

 The Morchang is firmly held in the hand, the frame or the ring between the palm and the fingers usually in the left hand. Care should be taken to see that the middle part or the metal tongue is not being touched when held idle. Then the two parallel forks are gently pressed against the front upper teeth. The trigger is plucked with the tip of the index finger. Sound is produced due to the vibration of the metal tongue of the Morchang  in the mouth and the throat cavity. Movement of the player’s tongue with constant plucking can produce very fast patterns of sound.

Patti Tarang is an Indian version of the Xylophone. The word ‘tarang’ literally means ‘waves’ referring to the notes produced in a rising order. This instrument produces a maximum of 30 musical notes.

 Patti Tarang consists of metal plates placed in a wooden box. Each metal produces a distinct musical note when struck by a stick. The metal plates are arranged in an ascending order of notes. The player uses 2 sticks while playing this instrument.

New electric Bulbul Tarang with integral 10 string Swarmandal. Easy Connect pick up, Volume control, 29-typewriter type keys, solid wood body, traditional earth tones, It is 90 CM. long Approximately. The metal strings are plucked or strummed with picks. Depressing the keys changes the notes. There are two types of string, Main and Drone. The two main metal strings are plucked or strummed with picks while depressing the keys to change the notes. There are three drone strings that run between the main strings and the 10 Swarmandal style strings. The instrument is compatible with most guitar amplifiers.

Product Spec. : Weight (0.900 g), Length (18 cm), Height (15 cm) & Width (9 cm)

Improved Tanpura Tone : The New Raagini Tambura is equipped with state of the art Capacitive touch keyboard.

Original Check Button : This confirms that you have an Original Raagini Digital by Sound Labs.

Hexagonal Shape Cabinet : The 6 side cabinet of Raagini Digital is an unique design registered shape that improves the sound quality & gives it unique identity.

Digital Setting : Functions like On/Off, Pitch, Fine Pitch, Volume, Tempo are all digitally measured and set for better accuracy.

Light Weight & Robust ABS Cabinet : 760 Grams is the weight of the Raagini Tambura, this makes it 35 percent lighter than its metal cabinet predecessor.

Auxiliary Stereo Out : The new Raagini Digital has the improved Auxiliary Out to connect to your music system or Public Address (PA) system during concerts.

AAA Battery with In-Built Charger : 8 AAA cells is all that is required & with the in-built battery charger you don’t have to worry anymore if you use rechargeable cells.

SMPS, 90V AC to 250V AC : Raagini Tanpura’s in-built SMPS, Universal Power Supply makes it possible to run the instrument anywhere in the world with its dynamic input power range of 90V AC to 250V AC.

Pitch Range in Excess of 1 Octave : Raagini Tanpura large pitch range spans over an octave covering from A to the B of the next octave. This makes it very versatile to tune with vocalist as well as instrument.

The Radel Milan+ is the first of its kind unique 2-in-1 Digital Tabla-Tanpura with 60 thekas.

The new Milan+ is a sophisticated digital musical instrument for providing sur(pitch) and laya(rhythm) accompaniment to performers of Indian music. It incorporates state of the art technology to produce natural and realistic Tanpura and Tabla sound, encompassing 60 thekas in various taals, in one compact product (Size: 230mm x 135mm x 190mm; Weight: approx 1 kg).

Radel Sunadamala, the original digital lehra/nagma machine developed by Radel and launched by Pt Ravi Shankar in 1993. A boon to all tabla players and Kathak dancers.

The New compact “Sunadamala” is a sophisticated electronic Lehera instrument catering to the needs of classical tabla Artists. The instrument produces 202 rehears (rhythmic tunes) set to different Taals and Raags which can be selected by the user through the keyboard. The instrument utilizes the latest state of the art microprocessor technology to produce a realistic sound of the lehera played on harmonium.

The instrument has facility to control the volume of the sound, the base pitch (sur) and the tempo of the tune. A built-in drone is also provided, the volume of which can be independently controlled. The “Sunadamala” can also be repeatedly programmed by the user to play and store two leheras of his/her composition. the instrument automatically operates on any voltage between 90-260 VAC, Universal Power Operated Machine

Radel Sunandamala-Zx Digital Lehra (Nagma) uses latest state-of-the-art microprocessor technology to produce a realistic sound of the lehra as played on a harmonium. The new Sunadamala Zx is a very advanced electronic lehra instrument catering to the needs of classical tabla artists and kathak dancers, enabling them to practise without the assistance of another person to provide the lehra. The instrument produces different Taals and Raags which can be selected by the user through a convenient interface. Sound quality is amazing with easy to control/use push button.

The Mridanga Talam Digital Compact is only electronic instrument available that plays both the Mridangam & Manjira togethere as well as separately. 

It is the natural tone of the Mridangam & Manjira that makes Mridanga Talam Digital Compact an outright winner.

This electronic compact Mridangam is equipped with a bouquet of 40 variations of talam’s of the Mridangam.

In the Manjira mode all total of 200 talams can be played including the 40 variations of played in the Mridangam mode by this electronic Manjira machine.

Mridanga Talam Compact with its cutting edge technology has incorporated the feather touch keyboard. It does not have any knobs or switches, thereby improving accuracy and eliminating transit damage and corrosion.

Mridanga Talam electronic Mridangam has great versatility when it comes to pitch with a range form Katti 7 / B to Kattai 7 / B 2nd Octave

The seven style digital balance of the electronic Mridangam helps the user achieve the perfect balance between edam talai & valam talai.

Mridanga Talam Compact has a tempo range from 65 beats per minute to 397 beats per minute.

Mridanga Talam Compact electronic Manjira is capable of playing all talams at various kalai / laya.

This Electronic Mridangam machine’s in-built SMPS makes it possible to run the instrument anywhere in the world with its dynamic input power range of 90V AC to 250V AC.